Ruth Clifford
19 Films
Ruth Clifford
19 Included Films
From Wikipedia, the free encyclopedia Ruth Clifford (February 17, 1900 – November 30, 1998) was an American actress of leading roles in silent films, whose career lasted from silent days into the television era. Clifford got work as an extra and began her career at 15 at Universal, in fairly substantial roles. She received her first film credit for her work in Behind the Lines (1916). By her mid-twenties, she was playing leads and second leads, including the role of Abraham Lincoln's lost love, Ann Rutledge, in The Dramatic Life of Abraham Lincoln (1924). But sound pictures found her roles diminishing, and throughout the next three decades she played smaller and smaller parts. She was a favorite of director John Ford (they played bridge together), who used her in eight films, but rarely in substantial roles. She was also, for a time, the voice of Walt Disney's Minnie Mouse and Daisy Duck. Clifford's obituary in the Los Angeles Times noted that she "became a prime source for historians of the silent screen era".
BFI Blu-ray or OOP fixed Image Entertainment Blu-ray
1925 silent version: BFI Blu-ray for HD reconstruction (complete 1925 print is lost)
1929 silent version: OOP fixed Image Entertainment Blu-ray
1930 sound version: 2003 Image Entertainment DVD (excellent transfer, but severely compromised by indiscriminate over-use of the restoration process)
BFI Blu-ray or OOP fixed Image Entertainment Blu-ray
1925 silent version: BFI Blu-ray for HD reconstruction (complete 1925 print is lost)
1929 silent version: OOP fixed Image Entertainment Blu-ray
1930 sound version: 2003 Image Entertainment DVD (excellent transfer, but severely compromised by indiscriminate over-use of the restoration process)
Director: John M. Stahl
Unofficial DVD
Universal has a new 4K DCP restoration in 2025 so a new release is likely
Director: John M. Stahl
Unofficial DVD
Universal has a new 4K DCP restoration in 2025 so a new release is likely
Director: Howard Hawks
Director: Howard Hawks
Director: Mark Sandrich
Universal 4K Blu-ray, 80th Anniversary Edition
Universal 4K Blu-ray, 80th Anniversary Edition
Director: Mark Sandrich
Universal 4K Blu-ray, 80th Anniversary Edition
Universal 4K Blu-ray, 80th Anniversary Edition
Director: John M. Stahl
Director: John Ford
Director: John Ford
Director: Billy Wilder
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Billy Wilder
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: John Ford
Director: John Ford
Director: John Ford
USA Paramount has the best video transfer with the least amount of artifacts: https://slow.pics/c/sjZ3mqF6
Olive Films Blu-ray and Eureka MoC Blu-ray are sourced from the same restoration and are both very good.
Apart from some mild attenuation, the audio is the same on all releases of the newest restoration and is relatively untampered with: https://slow.pics/c/bWF9EGuM
Director: John Ford
USA Paramount has the best video transfer with the least amount of artifacts: https://slow.pics/c/sjZ3mqF6
Olive Films Blu-ray and Eureka MoC Blu-ray are sourced from the same restoration and are both very good.
Apart from some mild attenuation, the audio is the same on all releases of the newest restoration and is relatively untampered with: https://slow.pics/c/bWF9EGuM
Director: Vincente Minnelli
Director: Vincente Minnelli
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: Vincente Minnelli
Director: William Wyler
Director: William Wyler
19 films